Showing posts with label Smashwords. Show all posts
Showing posts with label Smashwords. Show all posts

Saturday, July 3, 2010

Keegan for your iPhone and Android -- save 25%!


Want to get Keegan on your iPhone or Android, and save 25% in the process? During July 2010, you can!

Click right here to see the range of Keegans available in these formats -- at this time it's about half the list, and the others will be issued for these special applications by Christmas this year.

Here's where the magic happens: when you click to order you'll be checking out via the Smashwords server, and all you need to do to score the 25% discount is to enter this coupon code:

SWS25

...that's it! Enjoy guys. And don't forget to bookmark that pace at MK Online, because as we drive closer to Christmas all my books will be appearing on it.

Cheers,
Mel

Sunday, May 31, 2009

Flotsam and Jetsam, Take Two

Flotsam and jetsam on a rainy Sunday afternoon. I'm taking a break from other work ... tomorrow is my day off, when the rest of the world is back down the salt mines and saying "I hate Mondays." (I'm not too partial to Mondays either, but they're nicer when you don't have to work on them.)

The news is all wiki news, so I'll be brief. GLBT Bookshelf is growing at a fantastic rate, and looking so good, the boss at EditMe (the company which owns and hosts the engine) has complimented it, and has Twittered about it.

All this is fantastic ... but I have to admit that it's turned into a hell of a lot more work than I thought it would. I still haven't tackled the two remaining HELLGATE books, and tomorrow is July. I want (passionately, desperately) to have the series finished by Christmas, and these are going to be two very, VERY large books... hmmm.

Anyway, the wiki might be a lot of work, but it's also immensely satisfying. It's coming together into something that's already looking superb, and it's only been a month since I started with a blank page.

A few bugs have come out of the woodwork -- for instance, we've discovered the hard way that Mac users can't "shake hands" properly with the interfac, so can't build their own pages. This is damned annoying (and that's a euphemism!), and in the short term, the only solution we've been able to offer is, "so long as you have your materials together, we'll build your pages for you."

So, if there are Mac users out there who are cussing up a storm, don't give up just yet. Get over to the wiki and drop us a line.

In other news, AQUAMARINE has appeared on Kindle: and oddly enough, my Kindle sales have more than doubled lately. They're still not as wide, nor as lucrative, as one would have imagined, given that there are such vast numbers of Kindles out there, but we're coming along...



...That makes eight Keegans available for your Kindle now -- the 9th will be Storm Tide, next week. And then the whole NARC series will "go up" all of a piece -- they'll also go up to Smashwords at the same time, so if you've been waiting for Jarrat and Stone on the phone (and there's a thought worthy of the warm fuzzies), you don't have much longer to wait!

Little else is happening in this neck of the woods. It's just work, same old same old, although I will say that watching the wiki grow is quite exciting.

Cheers,
MK

Tuesday, May 12, 2009

The new interview is up at the Smashwords Blog...

Many thanks to Mark Coker for giving me the opportunity to speak at length about many topics which surround the GLBT publishing (and self-marketing) industry. Doing the interview made me stop and think, quantify what I known, and hammer it into a useful model:

Exploring the Outer Reaches of Literature with Author Mel Keegan

I do know that a good number of writers and self-marketers read this blog, and I'd like to exhort you to go over to Mark's for the interview. Keegan being Keegan, there's some interesting stuff in there ... it's also tremendously interesting to take time out and look around the Smashwords blog itself. Shows you how far you can come, in a single year; http://blog.smashwords.com/

In other news, more Keegans are appearing in the Amazon engine, with "Lulu Press" as the seller. Stopover (one of the NARC books) has appeared in the last few hours; and if they're going to be out there marketing one NARC book, they'll do all five. This is incredibly odd -- to reiterate, I have no agreement with them, to facilitate this, have signed nothing, know nothing about this! To use Lulu as a springboard to get to Amazon used to cost you A$140 per book -- and technically, still does. I haven't paid a bean. What goes on? I have the strongest, unhappiest suspicion that Lulu is out there touting for business because the marketplace has "slowed down" to critical levels.

What can you say? I wish them well. If they can drive sales to the Lulu printshops (in other words, get them away from CreateSpace, which is Amazon's wholly owned subsidiary, and until extremely recently was the only easy and affordable way to get to Amazon, for a writer living in a Country Not America), then more power to them. So long as Keegan gets the royalty, I don't have a syllable to say in opposition. Go for it, kids.

And now ... back to work. I'm about a week off the launch of a brand-new project which is going to take everyone by surprise. It's not just good, it's looking great -- and it goes back to that Bright Idea I had at the time of the AmazonFail debacle.

Give me one more week -- perhaps less -- and watch out for a newsletter!

Cheers,
MK

Sunday, April 19, 2009

Gay ebooks galore ... and loving it!

New titles at Smashwords -- if you've been hankering after your favorite Keegans in a format to suit your iPhone, you've come to the right place!


US$10.95 for iPhone, Palm Pilot, Kindle, Mobi and more!


US$10.95 for iPhone, Palm Pilot, Kindle, Mobi and more!

The intention is to have 12 or so titles at Smashwords by the end of April ... and then, a major newsletter. I the same time frame, there NARC and HELLGATE series will be going up to Kindle, and the whole shebang will be online at Mobipocket. Then --

We'll be launching a new bookstore. This is the exciting part, and I don't want to say too much about it at this point, because it's very, VERY complicated. But I will add this: it's the most exciting thing that's happened in a rather long time.

Oh -- there are five Keegans at Smashwords now (a good glbt book haul for your smartphone), and the next titles planned to go up are Aquamarine; Fortunes of War; The Deceivers; Storm Tide; Windrage; Tiger, Tiger; The Winds of Chance ... and then I'll catch my breath.

Seriously -- it's easy. This generation of the "Meatgrinder" is like clockwork. Books slide into the Smashwords catalog without a hiccup -- it's easier than Mobi, and I thought that was simple.

One more thing that should be of interest to both writers and readers:



Jim and Tim Hutchinson have a fine idea: One Chapter Challenge, wherein authors park an attractive sample of their work on a new website that's being robustly marketed. For writers, this looks like an excellent opportunity. For readers too -- the theory is, you'll get saddled with a lot less dross if you can read a swatch of the book before you lay down your plastic! Most writers are offering a chapter or five online on their webpages ... but in its infinite wisdom, Amazon has no such facility. You have to buy "cold." Bad idea, that. So I was in at One Chapter Challenge with The Swordsman, Nocturne and Twilight, and am wishing the brothers Hutchinson all the best in the project. It deserves to succeed. How about a little support, guys? Check it out!

Friday, April 17, 2009

Gay vampires on the phone!

On your phone, specifically. On your iPhone, that is. And not any old gay vampires ... Mel Keegan's, uh, gay vampires.

In fact, NOCTURNE and TWILIGHT are at Smashwords as of this writing, which means these books are now available for Palm Pilot, Sony Reader, any device that can work with the Mobi Reader app, and of course -- Stanza, which your iPhone is going to love.

Gay vampires on your phone. Seriously!

This is something I have come to envy keenly: folks who have an ebook reader. I don't have one, because you could buy a used car for the price of the dadblasted things, in this country. I'm starting to look at a thingamajig called a netbook. They're about A$600 here, and all I want the thing to do is display ebooks and maybe YouTube videos, and possibly play music.

And if there were any remotest chance of getting gay vampires on said device --!

Anyway, if you're into the ebooks for iPhone, this one is for you:



US$10.95 for iPhone, Palm Pilot, Kindle, Mobi and more!

US$10.95 for iPhone, Palm Pilot, Kindle, Mobi and more!

So there you are -- and just to make sure the pea-brained Googlebot can make heads and tails of this page, I'm going to say it a couple more times (the next part is for pea-brained spiders, not humans, so feel free to ignore the following) ... gay vampire ebooks for your iPhone! Yes, at last, gay books in ebook format, featuring romance, adventure and vampires ... gay style, the way Keegan readers like it best!

There. All done!

Thursday, April 16, 2009

The Swordsman ... on your iPhone!

At last, some great news! If you've been following this saga, you're probably aware that the last time (which was the first time) we tried to get onto Smashwords, we had upload problems. The great news? Fixed. Mark Coker recently announced a new Meatgrinder -- which is the Smashwords proprietorial document converter -- and it functions like clockwork. You upload a .doc file, and nominate the file formats you prefer. Wait a few minutes (long enough to go get a coffee or tea), and when you return to the computer ... done.



The really good news is that you can now get The Swordsman formatted specifically for any Mobi Reader, Kindle (Mobi again), your Phone (Stanza), your Palm Pilot, your Sony reader ... and of course if you can an iLiad or a netbook, you can still get the PDFs to fit from my bookstore, plus the Kindle download from the Kindle store, the paperback from Amazon, and the hardcover from Lulu.

I'd say I've got this one covered. Next?!

Well ... The Deceivers appeared in the Amazon engine a few days ago, and The Lords of Harbendane is at Mobi, plus Dangerous Moonlight was formatted specifically for Smashwords, at the time we had upload woes. So I think I'll start with these three, plus maybe two more, and then -- a newsletter.

Keegan is smiling this morning.

Cheers,
MK

Monday, April 13, 2009

Amazon headhunting in the GLBT community ...!

Hi, guys ... I'm back, and with something significant to say. The "bad news" is breaking across the GLBT writing community right now ...

Amazon under fire for perceived anti-gay policy

Here's an outtake in a thimble, to give you the gist:

The number one word being used over and over on Twitter at this moment is "AmazonFail."

Why?

Users are angry about a perceived anti-gay policy that removes lesbian, gay, bi-sexual and transgender books from appearing in sales rankings.

Author Mark Probst writes on his blog that two days ago, "mysteriously, the sales rankings disappeared from two newly-released high profile gay romance books: 'Transgressions' by Erastes and 'False Colors' by Alex Beecroft. Everybody was perplexed. Was it a glitch of some sort? The very next day HUNDREDS of gay and lesbian books simultaneously lost their sales rankings, including my book 'The Filly.'"

Probst eventually got a response from Amazon.com Advantage member services, he says.

In consideration of our entire customer base, we exclude "adult" material from appearing in some searches and best seller lists. Since these lists are generated using sales ranks, adult materials must also be excluded from that feature.

Hence, if you have further questions, kindly write back to us.

Best regards,

Ashlyn DMember ServicesAmazon.com Advantage

In other words, what about the children? Protect the children. Get gay content out of any area of the net that minors could possibly access.

Uh huh. Fair enough. I suppose. But it's going to be a long, slow clean-up for the Big A, because protecting kids also means shielding them from violence, coarse language and heterosexual pornowhatsessz. Massive amounts of Amazon will have to VANISH, pronto, for Amazon to be able to support its claim that glbt writers are not being discriminated against. It ain't just glbt writers who're going to get slapped. Normal Mailer, Harold Robbins, Jilly Cooper, Ann Rice ... all vanishing into the A-search bye and bye...

In fact, the new Amazon censorship is a lot of "same old, same old." Google is very discriminatory too; in fact, discrimination against glbt writers is so common on the web, one learns to live and deal with it. (Example: I've heard of e-zines that sell ad space, and "guarantee" a review of any book for which advertising is bought ... but they don't review glbt titles, even though they'll take the advertising dollar. The scene goes downhill from there,
with glbt-friendly pages and blogs now getting paid out less than a penny for clicks on their Google Ads, though they used to earn up to 75c for a click on the same ad, before company policy changed.)

Amazon's policy shift is subtle ... they seem to be reading tags. If your book is user-tagged "gay," you lose your page rankings ... if your books are not tagged, you keep your rankings.

Say, what?!

My books still have their rankings (!) because I never bothered to go in and tag them for Amazon search ... I know they're called "user tags," but it's the writers and publishers who are far, far more likely to add the tags, not customers. (A customer bookmarks the page where the book lives -- why would they want to run around tagging books, when they've already found the damned book?!) I've been advised (!) to get in there and tag my books for Amazon Search. Uh huh. So, writers and publishers tag their books to make them visible and searchable ... hence, it's dead easy for Amazon to figure out whose page rankings to yank!

They haven't yanked my sales rankings (yet??) because I don't carry the tags. Never bothered to go and do it, because at least 70% of all my sales are driven via my own bookstore, which lives here: http://www.dream-craft.com/melkeegan/catalog.htm

Meanwhile, however ... something else is happening at Amazon, which has nothing to do with tags (I'm untagged) or sales ranking (rankings are still there), and for the life of me I can't figure it out. My Amazon sales are down 80% this month, so far. My sales switched off, as if someone had killed the power, at the end of March. I did great in February and March (actually super-great in March), and then very poorly indeed so far in April ... with the sales rankings still "on" and attached. Go figure

Fortunately Keegan ain't Amazon-centric; they can't hurt me very much. And I know this is going to sound self-centered, so let me hint, here and now before I say it -- behind the scenes, I'm thinking long and hard, and coming up with a way to turn this whole lousy situation not only to my own advantage, but to the advantage of all glbt writers. I think I have a terrific idea, but I need to thrash it out, think it through, research the costs involved, before I share it publicly. However -- hang on, because the light I'm seeing at the end of the tunnel is NOT the train; and it's a nice, bright light ... bear with me a while.

As I said, fortunately (for me; and I'm not being selfish here) Amazon/Kindle only ever accounted for about 30% of my sales overall, so I still have 3 out of 4 of my oars in the water. But I know that other writers absolutely rely on Amazon, and they're in dire straits.

My titles are also retailed via Payloadz, and 70% of all sales are driven via my own bookstore -- so, the violent drop in Amazon sales might smart, but it's not going to kill me stone dead. Other writers are not so lucky -- and I'm not talking, here, about self-publishers!

Most of the writers with whom I'm in touch (about a dozen full-professional) are publishing with
print-media companies in the US; a few are with ebook publishers. Amazon sales are a huge part of the income they get from writing. And this discrimination is going to hurt them badly. As I just said in a comment on the previous post, it's enough to make you weep tears of blood.

Now, as you probably know, my publisher went defunct about eight years ago, leaving me with a big backlist and two thumbs to twiddle! I got busy and have marketed my old stuff while writing new. Amazon was very kind to me, sales-wise, till the end of March '09. I still have no idea of what happened then; however, I'd only gotten around to putting 12 books there, out of 27 on my list -- and as for Kindle, there's only 6 there. So their ability to hurt me is limited.

The number of other venues for selling books online is growing all the time -- Smashwords comes to mind. (Speaking of which, Mark Coker tells me they just went online with a new "meatgrinder," which is their industrial strength, wide-scale document converter. You upload a .doc file or an .rtf, and tell it what formats to spit out. It does the whole thing. Should be easy ... we had problems with it last month, but I'm 95% sure it was all about time-out woes. Will be taking another crack at it shortly, and with luck it'll work just fine.)

Amazon doesn't have a monopoly -- it's important to realize this. I also acknowledge that they're the "1000lb gorilla" in this neck of the woods. For some weird reason, READERS trust Amazon over Lulu or anyone else. This is where Amazon can really hurt writers. Customers trust Amazon, and are more likely to buy a book from them than, for instance, Lulu.com or Smashwords.com, or whatever.

The trick will be to find a way to get around the discrimination ... without taking on Amazon in a stand-up fight. Because one does not trade blows with King Kong and expect to come out of it with one's nose in the same place where nature intended. Picture Daffy Duck with his bear on top of his head.

Our mission (and we'd better damned choose to accept it!) is to either persuade readers that it's safe, and good, to buy books elsewhere ... or, to find other ways to bend the existing Amazon model (discriminatory tactics and all) to our advantage.

Stay tuned.

Cheers,
MK

Sunday, March 8, 2009

A little social networking on Sunday

This will be a little brief: Real Life has stuck its nose in, with domestic problems which need o be sorted, asap. In other words, chatting time on this Sunday downunder is out of stock, and though it's on back-order, it'll be a couple of days before we can expect delivery!

So I'll confine myself to the news, such as it is:

Due to the aforementioned Real Life Intervention, we haven't been able to get to either Mobipocket or Smashwords to see if we can get uploads to go through and books to publish in the various engines: try again tomorrow.

However, Support at Smashwords is looking at the word-count problem, and as soon as this is fixed, I can just call up my dashboard there, and hit "republish." Dangerous Moonlight will reappear, and the Keegan fix will be available for you iPhone readers...

Through a tip (thanks, Erastes!) I found an excellent place (a newsletter) to get Legends listed. I've not only made contact, I actually set up a LiveJournal account. I tried everything I could think of to get the name of "Mel Keegan" into a form LJ would accept it, but there's another Mel Keegan who has well and truly beaten me to it there, so it's "mkeegan," and like it.

So the LiveJournal page is http://mkeegan.livejournal.com/, and currently it looks like this:

This is the first experience I've had of LJ, and it seems to be a blog engine, not unlike Blogger. I certainly won't be able to post there with great frequency, but I can put things up, like pasting them into a scrapbook. The object seems to be that people will find you there when they didn't find you here! Let's see how it works -- my mind is open, and I'm genuinely curious.

Also, LJ has certainly made the process easy -- perhaps even easier than Blogger, and much easier than Word Press. I had a brief flirtation with WP, and found too many problems with it. (I also notice that Jade & Co. have let go the Exploring South Australia blog, which was at WP -- and I understand it's for similar reasons. Too many problems in the interface.)

Thanks to Erastes for this networking: left to Google, I'd never have found the newsletter.

Domestic strife and all, I did manage to get Chapter Fourteen up to Legends...

And, work-wise, that'll probably be about it for the day! Well ... it's Sunday, after all, so maybe I need to take one off anyway.

Right now, I have to put on my red cape and go get things fixed. Something along the lines of changing the Earth's rotation to turn back time, putting a mountain back on its foundations, parting the Red Sea. Just trivial things like that. So --

Ciao for now,
MK

Saturday, March 7, 2009

Mobipocket adventures ... and a Very Good Mystery

In answer to the four people who got in touch, asking why the heck they can't find Dangerous Moonlight at Smashwords today ... bear with me, guys: we're not out of the woods.

To begin with, Smashwords is having server issues which is slowing everything down -- and no one is immune, in this area. There were problems at Amazon last week, and CreateSpace is prone to difficulties. Be a little bit patient here, and thou shalt be rewarded...

Dangerous Moonlight was uploaded, and IS at Smashwords even as we speak, but you won't be finding it until a tiny bit of fine-tuning is done in the book's "order me" page. The system (which Smashwords calls the Meatgrinder, with excellent reason!) performs the word count on auto ... problem is, right now it's only firing on four out of five cylinders.

For the iPhone (Stanza) edition of Dangerous, it gives a word count of just under 20,000 words (which is 10% shorter than Callisto Switch), and for the Kindle (Mobi) edition it gives a count of about 40,000 -- 10% shorter than Windrage ... so you know something is way off the beam, because Dangerous Moonlight is 208,000, according to every word processor and DTP program I have! We "unpublished" the book, making it disappear temporarily, because to the casual browser who doesn't know it, an $11 pricetag on 20,000 words looks outrageous -- not the first impression we want to make. Then the server started to jack around, and it'll be tomorrow, earliest, before we can get back in and make adjustments.

Patience, guys: I'm in touch with Support at Smashwords, and they are both knowledgeable and helpful. It's just a minor hiccup that will be straightened out before you know it.

Rest assured, I'll update you on the blog here when we're up and running. In fact, if you want to be in on the launch, just make sure you're on the mailing list, and watch your mailbox!

Next piece of good news: the proof for STOPOVER was delivered and looks fantastic. CreateSpace has done another great job. We're now just waiting on the proof for APHELION, and the NARC books will be launching at Amazon ... next week, I hope.

The Mobipocket experience has also begun, behind the scenes. In fact, DreamCraft has gone in and set up the account as the publisher.

The way it works is this: I'm the writer, DreamCraft is the publisher, Mobi is the distributor, and virtually thousands of affiliate sites all over the web correspond to the bookstores. I'm almost a passenger on this one, just sitting back and watching. The way the financial aspect works out is interesting. Mobi pays 35% of the gross, meaning, $3.50 from a $10.00 book will come back here, to be divvied up between writer and publisher. There is also another 10% fee up for grabs -- the affiliate fee, in the event that someone passing through my websites and blogs buys a Keegan for his or her Kindle or smartphone as they jet through. Say it's a sale from the bookstore on my website -- that's another dollar that lands in the account here, helping to cover the expenses of running this show ... and bolstering Keegan's daydreams of quitting the day job to write full time!

So that's how the Mobipocket thing works. My understanding at this time is that they have affiliate members left and right, all over the globe, who will be on the lookout for books to sell off their sites. Each sale, no matter how or where it's generated, brings 35% back to base. And you know what my backlist looks like right now:

(The Hellgate series will be done by Christmas, adding two; unless there's a miracle, the LEGENDS project will be curtailing online at Book One, leaving the whole project to be released in various formats ... and so on. And yes, the haunted house book and Dead of Winter are still on my list of to-do jobs.)

Tomorrow, with the Mobipocket account set up and operational, and the conversion software downloaded, we'll see about running Fortunes of War, Dangerous Moonlight and The Lords of Harbendane through their publishing process ... and I'll let you know how it goes. The sheer size and complexity of Mobipocket is a little intimidating, but it seems simple -- they just have the loose ends tied off, legally, in French braids and sheepshanks, half-hitches and granny knots. The legal-beagle jargon is dense, but the interface is simple.

We downloaded the Mobipocket Reader, and I like the interface a lot: dead easy, and it works offline. If/when I get myself a screenreader (and right now I'm examining netbooks), I would be able to download direct to the gadget.

The other place where the Mobipocket publishing process is very different is in the file conversion system. Basically, with Amazon, Smashwords, CreateSpace, Lulu, whatnot, you upload your files to them and the conversion happens at their end. This is neat and tidy -- so long as you're inside the US. If you're not, you time out a lot, and when a file isn't quite right and has to be uploaded again, you can have hours to sweat through, to get a usable version.

Now, Mobipocket does it ... backwards. You download the free conversion software, do the work at your end, get it perfect and (hopefully) upload the little bugger ONCE. It's simple by comparison, because Mobipocket offers ONE file format, whereas Smashwords offers a whole range. With Mobi, you just make sure you download and install the correct reader for your device -- PC, Mac, desktop, netbook, screenreader, phone, whatever.

It's ... ludicrously complicated. Reminds you of the days of VHS and Beta. Of PC and Mac, before the advent of the PDF. Of SD and XD. (One longs to say, of Ford and Holden...)

Today, I leave you with a mystery. As you know if you're a regular reader here, I submitted the LEGENDS blog/site/novel to a directory called BlogCatalog and got it chucked back, rejected. Now, Aricia, being Aricia, was both incensed about that and curious as to the process. So she submitted her celebrity gossip blog, Aricia's Album, to the same venue. And something unspeakably weird went on.

Get this ... and explain it, if you can. We're still trying. After the submission, AG turns off the computer and leaves it for maybe 14 hours. Next day, checks her Gmail, and the are (count them) THREE messages from BlogCatalog.

1) Your blog is unacceptable. Here are the problems ... fix them, resubmit, and we'll reconsider your application.
2) Changes approved!
3) Welcome to BlogCatalog.

Hunh?! She did NOTHING, the computer was turned off. Also, the original message outlining whatever the problems were had vanished from the dashboard when the situation was rectified, so AG never will know what the perceived problems were. And then it was "welcome to BlogCatalog," without a line of text being changed, a picture deleted, or an ad moved.

Does this make any sense to anyone?

No, me neither. So --

Chapter Thirteen concluded at Legends today...

Ciao for now!
MK

Friday, March 6, 2009

Ebooks ... and other seven-headed monsters

I can honestly say that I've learned a lot today ... about code; about myself; about persistence; about going cross-eyed in front of a monitor and not giving up; keeping a cool(er) head when all about me people were losing theirs and blaming it on me --

[And before you say, "Hey, that reminds me of something," it's a tangential misquotation (deliberate, damnit!) from Kipling's poem, "If." And yes, you can source it on the web -- wonderful poem; find it here: http://www.swarthmore.edu/~apreset1/docs/if.html]

--It's taken a couple of days to get the code right, but Dangerous Moonlight is now online at Smashwords, where you can download it for your iPhone, your Kindle, your Palm Pilot, your Sony Reader...!



Click on this image to, uh, "buy now from Smashwords"


We had wanted to launch with three books, but it's more of a wrestling match than we'd expected, to get really good results in all formats. Mind you, it's well worth the effort, because now Dangerous is going to perform properly on everything short of Microsoft Reader. I'm holding off on offering it in the LIT format for several reasons...

I've heard that the new Reader has "issues;" and also, there's no way short of paying too much money to be able to secure the file to prevent people just copying the text right out into a DTP program and printing it by the case. I don't like that.

Anyway, Keegan is on your smartphone, and on your Kindle (in Mobi format), via Smashwords -- at least with Dangerous Moonlight! The next up will be Lords of Harbendane, but Fortunes of War is being a little devil. A few days ago I rattled off the book's pedigree, which was received by howls of disbelief. To say that the manuscript is a mutt, a moggy, a mule, is too kind ... to call the finished book "moving and inspirational" is not helping me get it bashed into shape for a new edition.

However, we persist. The Smashwords interface is certainly easy. We did time-out a few times when trying to upload/convert files -- but hey, this is Australia, which has a backbone like like a pygmy shrew.

And -- well, that's where we are today. Want Dangerous Moonlight ... Harry and Nick ... on your iPhone or Kindle? Then (here are the magic words) BUY NOW FROM SMASHWORDS. And yes, that's a link, takes you right to the page where you can download the goods.

Chapter Thirteen has commenced at Legends, but otherwise the day has been devoted to CODE. And I have to give credit where it's due.

Jade can actually read this gibberish:


When all else failed (and it did), she loaded it into a progaming editor (Notebook++) and took the css gobbledygook apart. Rebuilt it. Make the gibberish actually work. Ye gods, there's something seriously wrong with the woman. It's not normal. (And Mel Keegan is going to prognosticate about normality?!)

I think this one is going to cost me a bottle of wine.

Ciao for now,
MK

Wednesday, March 4, 2009

FREE online gay fiction! (And other goodies)

The title of this post is FREE ONLINE GAY FICTION.

And just in case the Googlebot (which is infamous for the peanut-like dimensions of its brain) is having a hard time interpreting that, allow me to expound:

FREE, as in "at no cost, no charge;"
ONLINE, as in, "on the Internet, in cyberspace;"
GAY, as in "not straight; bent; queer; you know ... gay;"
FICTION, as in, "a story, a novel, a plot; not a documentary."


So: FREE ONLINE GAY FICTION could be interpreted as "no-cost Internet-driven bent stories." Or "cost-free web published queer novels." Or, "no charge cyberspace not-straight plots."

I wonder if there enough KEYWORDS in this post to get some Bot's attention, and get through to its microscopic mind that I'm talking about --

You guessed. Free online gay novels.

Because, I'll tell you something ... you have a hard time giving the damned things away! I mean, there's Legends, commencing Chapter Twelve with about 35,000 words online, and I'm increasingly at a loss as to how to get people's attention.

I can't just make the novel itself searchable by Google, because the very thing you don't want is for some twinkie, underage and all, searching for hair care tips or skin care products, pulling up a page in which two very male males are getting ... companionable. Why did the page pull up? Because the text on said page speaks of "hair" and "skin." Bad, bad idea to let the engines index it.

So, since 0% of traffic is going to be coming from search engines, visitors can only come from directories.

And this is where it gets interesting!

I don't recall Google Directories being the same animal as DMOZ, when first I started marketing my work ... back in those days, Goog was Goog and DMOZ seemed to be a bunch of dessicated old wannabe academics with the power of god to award lesser mortals a place among the halcyon pages of their divine directory -- or not. And it was usually not. At the time, you could submit your blog or site to multiple Google Directories, which gave you half a chance of being discovered since you had cross-referenced and indexed yourself.

Turns out, Goog and DMOZ are now the same thing. The dessicated drivellers have gotten control of Google Directories, meaning -- yep -- you can now only have one submission category. (And tough luck if you're fantasy, AND gay, AND a novel, AND a serial!) Playing it safe, asking nicely for Legends to be listed under Gay, means a work of serious fiction is going to be listed along with the oceans of pornography, the rivers of erotica and similar ... stuff.

Not that it's likely to be an issue, because the DMOZ people are reported to be so far "down" on sites carrying commercials, your name could be Moses, you could be uploading the word of God himself, and if you carry commercials in the margin for Guttenberg, the local Synagogue, and Kosher groceries by mailorder -- DMOZ will take a great delight in rejecting you, and chucking God out right along with you.

So ... directories are a little bit thin on the ground. I spoke yesterday about something called http://www.blogcatalog.com/ ... and utterly to my confusion, Legends was rejected by these bods, too. Here is some vaguest clue as to why the blog isn't good enough for them:

Dear Mel Keegan,
Thank you for submitting your blog LEGENDS: a digital novel by Mel Keegan
(http://mel-keegan-legends.blogspot.com/2009/01/1.html) to BlogCatalog.

Unfortunately upon reviewing your blog we are unable to grant it access to the directory.

The most common reasons for not getting into Blog Catalog are:

We could not verify ownership of your blog. A link back, widget or meta-tag is required to verify site ownership.
The URL you submitted is not a blog.
The URL you submitted is solely for commercial purposes, or is suspected to be spam.
Your blog is brand new and/or doesn't have enough content to make it truly valuable.
If this is the case, please resubmit after you have made more postings.
Your blog contains pornographic material.
At the time of review your blog was unavailable or there was a typo in your submission URL.
Please make sure the URL submitted is correct and accessible.

The above list is complete twaddle: the backlink was there (meaning, I'm potentially feeding them traffic even now! I'm about to delete it, naturally); the URL is at blogger -- duh; it's not "solely commercial" -- it's a bloody novel; it's not spam; it's not brand new -- there's 35,000 words of fiction and a half dozen works of art there; there is no pornographic material there -- you'd have to be a puritan of the first water to file the love scene under "porn"; Blogger was not "down" at the time -- it hasn't been "down" in months; and the URL is both correct and accessible.

I have the strongest feeling that someone at BlogCatalog got as far as the Caveat (which is required by law and decency), and cut corners to save time on the job. They hit the "reject" button as soon as they saw the words "adult themes, realistic violence, and material of a sensual nature." In their world, the literal translation for the above is PORN. They're dead wrong, but I can do nothing about it. On this criteria, everything from Highlander to Conan the Barbarian would be filed under porn. It's so moronic, I'm astonished.

At the same time I also contacted a third directory, with an application for a listing ... no reply. I think the word "gay" probably gives them a rash.

It's going to get tougher from here on, because I've already hit the high spots, and I do believe homophobia is at work in at least a couple of cases. (Plus commerciophobia, in the case of DMOZ, where it's advertising of any description that brings the dusty old dears out in hives.)

Okay ... back to the drawing board, think of something new!

So I started surfing, looking for opportunities -- and after having been locked out of the Kindle Store (not through homophobia, but through xenophobia! Amazon Kindle is a privilege not -- yet?? -- permitted to foreign devils, such as Aussies, and Brits, and all souls born beyond those fabled shores) ... so, well, let's say I was surprised and delighted to be made welcome --


At the Mobipocket Store. Publishers wanting to sign up? The line forms to the left! I alerted DreamCraft to the possibilities, and it was "on" at once.

Right now we're looking into Mobi as a serious alternative to the Kindle store. To begin with, Kindle users can read Mobi files. Then, the store is almost as big as the Kindle store, with over 120,000 titles. And -- being a French company -- Mobi is not as hidebound as Amazon. They do have a gay/lesbian category, but most gay books are not listed there. They're listed under SF or Fantasy, or Romance or whatever, because Europeans are not so touchy on the subject: the word "gay" doesn't make too many people in Span, France, Germany, start to itch and sneeze. (The titles listed under Gay/lesbian are sizzling hot and short on plot. Uh huh.)

So here's where we are right now: we'd have been at Smashwords with three titles today (!) if only the upload server wasn't "down." Since it is -- well, we'll try again tomorrow. And we'll be at the Mobipocket store by the weekend, all being well.

The only downside I can see with Mobi is the DRM thing ... Digital Rights Management is, at this time, a bit of a mess. However, it does prevent people from just sending copies to friends, willy nilly -- which is, alas, what happens with unprotected PDFs. (If your name is Jeffrey Archer or Stephen King, you sell so many thousands of the things, you don't care; but if you're still celebrating each sale, as most self-marketers are, the file-sharing hurts).

So, the DRM protection of Mobi files is certainly going to get up a lot of readers' noses, but if you can live with this, people --

Keegan on your Kindle is a reality ... no thanks, mind you, to Amazon! You'll be able to get Fortunes of War, Lords of Harbendane and Dangerous Moonlight for your Kindle in a few days. We'll issue the backlist a few at a time this way.

And at the same time (as soon as the Smashwords server is back up) you'll be able to say you've got Keegan on the phone ... Smartphones and iPhones are catered to here: Stanza. We'll start with the same set of three, and go on, and out, from there.

To see what it's going to be like reading on a phone, I resized a browser:
That's not too bad at all, is it? I could live with that.

So there you have it. Progress is being made, albeit slowly. Legends remains problematical, not because of itself, but because it's a heck of a lot harder than I would ever have expected, getting listed in any location where interested will see it. Also, the "viral url" concept, where the address is emailed from person to person, is a non-starter. No go. The worst that can happen is that I'll finish the thing and issue it via Payloads, Smashwords, Mobi, Amazon, Lulu and whatever else has come along by then.

In other words, we'll see how we go.

Cheers,
MK

Tuesday, March 3, 2009

Blogging in the rain -- really!

Can't blog ... I'm too busy watching the rain. Not that you guys would call it rain, of course, but hey -- this is the first time WATER has dropped willy-nilly out of the sky, since something like October! So even though it hasn't rained much (most of the time you could count the splashes as they hit the pavers) you just had to stop and stare.

Of course, its all over now. The radar map shows blue skies behind the current overcast, and since the wind just got up these clouds will be gone before long.

But it was nice while it lasted:
There you are ... WET and everything. Water on the sidewalk. Clouds in the sky. Makes a difference, I'll tell you.

The rain is one of a couple of Significant Happenings in the last 24 hours. The second is that the proof copies of Equinox and Scorpio have arrived, and they are superb. CreateSpace has done a marvelous job, as usual. Now, we're waiting on the proofs for Stopover and Aphelion, and then -- the book launch at Amazon for the whole NARC series, all of a piece. For which, expect a newsletter...

Otherwise, it's work as usual. The Kindle situation remains in limbo ... I'm working on the reformatting for Smashwords, but it's going to be slow, due to the fact that I'm converting some very old, eccentric documents --

For example, Fortunes of War. This one was typed in Juniper Computing's Softword program (circa 1985), and SAVED TO TAPE. Much later, the tape-memory files were recalled, it was printed out, scanned in, run through OCR software and fed one page at a time into Lotus AMI Pro; the final edit was done, and hard copies were sent to GMP for publication in the early 1990s. The files were then stored on single density 3.5" floppy disks. These were, much later, read back into Lotus Word Pro and stored on an IEEE Firewire external harddrive that, at 30MB, looked incalculably vast when it was new. The "new" lotus files on the Firewire drive were of the LWF type ... which, thank gods, Serif PagePlus 10 reads extremely well. So, the DreamCraft version is in a Serif DTP format, a PPP document. For Lulu.com, this was published to PDF.

There is no simple .doc file ... nor has there ever been! ... for Fortunes of War. However, you can (!) select-all/copy a Serif PPP file to the clipboard, and dump it into Microsoft Word 2003 (not later versions; the more clever Microsquash gets, the less it shakes hands with other formats). Then, you save back the Word document -- not as a .doc, but as a Web Page Unfiltered. This gets rid of most of the passenger trash. Now, use Word to reopen the HTML file, and you're ready to run it through the process required by Smashwords to get rid of all remaining formatting.

Now, it's true that the new(er) books will be easy by comparison. But I have several golden oldies that are reader favorites from yonks ago. For instance, Fortunes is among my February bestsellers! Would you believe this? A book that's been out for over 15 years and has been through more editions (with more stupid covers designed by moronic artists) than you can shake a stick at, is still out there, selling so well --

Put it like this: if GMP were still handling this book, I'd have had to sell about 115 copies of this oldie in the month of February, to make the income it generated for me at Amazon (paperbacks), Payloadz (ebooks) and Lulu (hardcovers). I'm amazed, and pleased.

So -- yep, we're heading for Smashwords, one step at a time. In fact, after I finish this post I'm going to run one of the very new books through the conversion process, and with any luck, in a couple of days I might be able to run up a flag and tell you, you can get Dangerous Moonlight and The Lords of Harbendane for your iPhone, and as Mobi, readable on your Kindle.

Bear with me.

Speaking of all this stuff -- the Keegan sales figures were just tallied up for February, and I can tell you that we did more than double the business in Feb that we did in January. Nice, that. About 50% was ebooks, 45% paperbacks, 5% hardcovers. Of the ebooks, 75% were the regular PC/Mac version, 25% were specifically for the screenreaders, though I have no idea what kind ... the ones that can read a properly designed PDF, is all I know!

The book launch for The Lords of Harbendane obviously put that title out in front, with decent sales ... not brilliant, but in fact better than I'd secretly hoped for. Don't underestimate 1) the global recession, 2) the length of the unemployment lines, 3) the price of gas, and 4) the idiotic price of importing a Keegan into Aus and New Zealand --

It costs US$38.04 to buy The Lords of Harbendane in paperback and have it shipped via Amazon to Aus or NZ. Run the exchange rate (at .63c, as of this morning) and you get a price of A$60.38, ppd. That's two tanks of gas for a small car, or a week's groceries for a frugal couple.

So, if you drop out the "lost" Aussie and Kiwi readers, and factor in an adjustment percentage for the global recession etc., the fact is, Harbendane is doing very nicely. There was a time (2002/3) when DreamCraft would organize a book launch and we'd ship about 250 copies of the new title in THE FIRST WEEK. That doesn't happen these days, and I don't expect it to; but I have high hopes for the future, when advertising, technology and economic recovery have conspired to change the way things currently are. For the moment, I'm extremely pleased with sales -- and looking forward to seeing how the books' availability for iPhone and Kindle, via Smashwords, will add to the numbers.

Interest in the Legends digital novel project could be higher, I'll admit -- fact: a lot of people just don't have a use for electronic files, or else have no interest in a serial! However, the emerging book has a strong core of about 50 - 75 readers who swing by either every day or once a week ... not bad going for a project that only launched three weeks ago and has had very, very limited promotional exposure.

Right now, I'm looking out for listings, directories, where Legends can be, uh, listed. There are loads of them, but almost all have a downside. Either they're owned and operated by people who have a problem with gay fiction (and that's okay, because where a directory is a personal project, the list-mom/dad has the right to decide what gets into their list) or else the automated systems are so vast, one will vanish into the primordial ooze --

For example, www.blogcatalog.com is an amazing directory, but it's the size of the Death Star. Searchable -- yes; but the tag "gay" pulls up 42,884 items. "Fiction" pulls up 28,272 items. "Books" = 130,260. "Gay fiction" = 1,746 ... getting warmer, but at 10 results per search page, you're still looking at 174 pages -- and if it's anything like Google (and it is) people don't look past Page One.

Legends needs a lot more of a shove to get it properly launched. I had hoped, initially, that "viral marketing" would take over, that people would email people who emailed people ... with the URL. This happened for the first few days, tapered off and stopped. Now, you and I both know the readership is vastly bigger than this! But it seems one can't look for much in the way of user participation -- which is fair enough, too. (It's an experiment, and this is one of the facts that just fell out of the data.)

Statistically? About 500 "unique" visitors checked out Legends in the first week; about 50 of those are still reading; 20 more have come on board in the last couple of weeks. So you had about 10% of the check-out crowd (those who like to read; like fantasy; like Keegan; have the fascination and/or patience to stick around; and like ebooks) who became regulars, plus 10 new readers per week finding the book and becoming followers of this serial.

This is actually pretty good. If the numbers remain stable, it means 250+ regulars by the time the book is finished, and 500 new readers finding it, and grabbing the whole thing, during any one year. That's a reader base which is quite vigorous enough to support the advertising with the occasional shopping spree at Amazon which started out on the Legends page, and so on.

Speaking of Legends -- two posts are up today:
A Bargain by the Jackal Throne (conclusion)
and
The Oracle Speaks

And now, I'm going to spend a fascinating hour or so shoving Dangerous Moonlight headfirst through what Smashwords terms as the "meatgrinder." If everything comes up Keegan, I'll let you know tomorrow!

Cheers,
MK

Saturday, February 28, 2009

The road to Amazon.com is land-mined

Puffs of steam are coming out of my ears: I'm going to have a RANT today, so -- bear with me.

Good gods, they make it hard. I'm within eight seconds of saying, "stuff Kindle." And this, after I've blown off two days formatting documents to suit them.

What goes on --? Amazon.com just slammed the door in Keegan's face, is what's wrong.

In order to sell my books to Kindle readers -- and bear in mind, Amazon is out there, hyper-marketing their platform in order to command an ever-growing market share! -- I have to have the following:

American TIN number for tax purposes (done: got one).
American bank account access (done: no problem).
American mailing address (how the hell do they expect me to have this?)
American phone number (ditto).

To all intents and purposes, Amazon Kindle is open ONLY to American writers and authors ... at the same time as the American marketplace is 90% of everything, and Amazon is actively at war with all other ebook platforms, to command the lion's share of the market.

Does this sound kosher to you? Point one: non-American writers are being shut out of the market -- at the same time as Amazon.com makes a ton of money dumping cheap goods on the rest of the world (books for 10c, for instance!) ... and Point two: American readers are soon going to have vastly limited access to foreign works --

Foreign works which, for example, express the global point of view, the cosmopolitan concept of humanity, in which the thoughts, dreams and dreads of people living in -- oh, Paris, Rome, London, Tokyo, Beijing, the centers where culture was born many centuries before America was even dreamed of! -- are reckoned, in the wider scheme of the cosmos, to be just as important as those of people who are curiously gifted enough to live between the borders of Canada and Mexico.

Moreover, there is one additional thing that carbonizes my noodles:

The simple statement: "Non-Americans need not apply" is not posted until you get five layers deep into the publication process.

There is no easily accessible FAQ. There is a labyrinthine forum with all the welcoming characteristics of an asylum, filled with abusive inmates who seem to believe one has nothing better to do with one's time than to read "threads" which have run 11 months, and are now forty yards long -- filled with poison-pen retorts for non-Americans, blatantly WRONG answers, hapless misinformation, helpful responses to questions that were NOT ASKED, and --!!

The situation regarding Keegan on your Kindle right now is this: I'm going to try negotiating with family in the States, to use an acceptable address and phone number. If for any reason the other half of the family has a problem with this, you won't be reading Keegan on you Kindle. Before that happens, Amazon.com will have to come out of this self-imposed shell of isolation, drop the parochial behavior, join the global community (which it has ambitions to dominate) and play nice.

Till then, my Kindle ambitions are snookered. Which, as I said above, burns my noodles ... because Kindle is already a millions-strong marketplace. When people change over to Kindle they cease to buy paperbacks --

Meaning, there is a millions-strong sector of the reading community that's a dead zone for any writer or publisher who does not have a physical foothold, complete with phone number, between the borders of Mexico and Canada.

Now, Amazon has made squeaking noises about trying to get Kindle to work in Europe and Australia, but so far they haven't even been able to swing a reliable deal with wireless providers in the UK. Down here in Aus and NZ? Forget it. The infrastructure doesn't exist. Not going to happen.

Here's the bottom line: If Amazon wins the marketing battle (as it intends to), if Kindle becomes The Platform of the future ... if enormous numbers of readers change over and don't want paperbacks any longer ... and if only American writers and publishers are allowed to sell on Kindle ...

There's going to be a whole lot of professional writers, globally (myself being one of them) who will just jack it in and get a proper job. Literature itself will suffer, because the only people publishing on the massive platform will be a small nucleus of real professional writers who are just geographically lucky ... plus about fifty million semi-literate wannabe authors, none of whom would know good grammar if they tripped over it in the street, who are not just allowed to publish -- they're invited. They're exhorted. They're marketed alongside the giants of literature, as if they belong there; and why?

The privilege of geography. No matter that Amazon's marketplace is global and vast amounts of its profits are raked in from overseas customers.

You bet, I'm PO'd. Wasting my time (or, having my time wasted for me) tends to do that to me.

Now I have to take on the challenge of Smashwords. Go back and reformat all the documents over again. But at least Smashwords is playing nice -- I can put my books there. If you were asking me, Amazon could learn a thing or two from Smashwords.

Mark Coker's new company at the very least lives in the right century, with both feet planted firmly in the global community. Meanwhile, whoever designed and built the apology for the architecture supporting Kindle appears to live in some parochial cyber territory, temporally and psychologically analogous to the 1950s.

Message to Amazon.com: get real people. There's a world out here, and if you want to dump cheap goods into it for your own profit, you have to wake up to the fact the conduit must run both ways. Or are you actually trying to shut out the global voice, lock in the all-American point of view, raise a generation of Kindle-users who couldn't find Belgium on a map? This might result in a generation of more American Americans, but I ask you, does this kind of intellectual isolationism have any place in the twenty first century?

Okay: I'm done ranting for now.

Yeah, yeah ... I posted the next segment of Legends before I threw away the rest of my time. Find out what happens when Soran wakes up...

And people, email the Legends URL to your friends, please!!! At this point, according to Statcounter, I have loads of people coming in to collect only Chapter Ten, folks who have never touched down on Legends before -- which says clearly, the files are being emailed, not the URL. Remember, to make this work we need people on the page, taking advantage of the advertising: sending the files to your mate won't help! Thanks for your help here.

And, uh, I imagine I'll be in a better mood tomorrow! Meanwhile, the ebooks are available at PayLoads, and will be appearing at Smashwords when I've had the chance to thrash through the conversion process.

Ciao for,
ML

Friday, February 20, 2009

POD Publishing: the next generation

Just a quickie second post today. I'd like to pass along the url of a news story that's running right now on the Falls Church News Press:

Anything But Straight: The Future of Gay News

There's a few paragraphs in this story that I could have written myself! Some material pertains specifically to folks like myself, who're blogging in the interests of paying the bills one way or another -- and also, selling books. Do read the whole feature -- it's a quick read, and most interesting!

As a hook, let me give you this, and then exhort you read the rest:
...the continued improvement of E-book technology may save the GLBT publishing industry. On March 29, the legendary Oscar Wilde bookstore will close in Greenwich Village, citing economic trouble. This follows the demise of the famed bookstore Crossroads Market in Dallas.

With few venues to sell books and fewer publishers, it is a tough time for gay authors. While the major retailers have GLBT sections, rarely do these books receive prime shelf space. E-books may be a way to cut out the middleman, save on printing costs and let gay authors sell directly to the reading public.
http://www.fcnp.com/index.php?option=com_content&view=article&id=4141:anything-but-straight-the-future-of-gay-news&catid=17:national-commentary&Itemid=79

It's interesting reading. Just yesterday I was talking about the impending ebook technology, and oddly enough, this afternoon I'll be working on documents intended for Kindle and Smashwords. The world seems to be shrinking!

See also:
http://mel-keegan.blogspot.com/2009/02/literary-history-repeats-itself-for-2.html
and
http://mel-keegan.blogspot.com/2009/02/my-kingdom-for-ebook-gizmo_20.html

Cheers,
MK

Tuesday, January 27, 2009

POD Publishing: the writer's dilemma

With the start of a new working week ... and an a/c unit that makes it possible to actually get something done! -- well, I guess work is on my mind. Right now, that other four-letter word that ends in K means, to me, 1) marketing books, 2) sorting out whatever is going haywire in the LEGENDS template, and 3) continuing to work on the text of the digital novel.

Since I can't quite bring myself to get to grips just yet with the template (being, the guts behind Blogger ... the css gibberish that makes it go, and sometimes doesn't make it go; and right now it ain't goin' nowhere) I thought I'd do a little book marketing.

And ran into some interesting things before I'd even had the chance to open a file.

I start my book marketing by looking at who my recent visitors are, and how they found me. And several of these readers have been on Google around the world (India, Thailand, France...) searching on a term which took me by surprise -- and would give a gentleman by the name of Mark Coker headaches and/or nightmares! The search parameter is, and I quote, "smashwords writers beware."

The antennas went up, obviously, because I'll soon be intimately involved with Smashwords, to take advantage of their document conversion to the Stanza format (makes ebooks readable on the iPhone, and soon the Samsung Omnia, all being well).

The good news appears to be that these searches are writers around the world doing their "due diligence" -- which we all do; or should, if we had out brains wired properly. I followed the search results and found nothing that would stand as a point against Smashwords. I breathed a sigh of relief there, obviously.

And along the way some other interesting things (for a writer, at least) popped up. Have you ever heard of the IDPF? No, neither had I, till I saw this: http://www.teleread.org/2008/04/23/harlequin-librie-digital-deal-beware-of-drm-traps-harlequin-but-yes-youre-right-to-think-about-interactivity/

Turns out, it's the acronym for International Digital Publishing Forum. Since digital publishing is -- increasingly -- where I live and work, I clicked through with half a mind to join, you know, participate, make my ten cents' worth heard ... until I saw that the membership dues. They want A$1,000 for a year's membership for an individual.

I clicked out again without even touching the ground. That's idiotic. Digital publishing is where the future is going, it'll affect every writer, reader, publisher, distributor, so -- what's the first thing the the high mucky-mucks do? Form themselves into a forum and organize themselves a hierarchy, an infrastructure, that costs so much to run, their membership dues look like this:

...and you notice that their dues are "only" US$1000 for companies with revenues over (!) $5m per year, and go down to US$650/A$1,000 for non-profit organizations!!

A literal translation of this is, "If you're a publisher earning less than $5 million p.a. you fall off our radar ... and "non-profit organizations" are obviously the high-power info honchos who give out free info ... digitally.

And the 99.999% of writers who sell their books on Payloadz and Smashwordsm, Lulu and so on? We would no doubt suffocate in the rarefied atmosphere breathed by the aforementioned mucky-mucks, whose forum activities must take place at five-star resorts over six-course meals ... otherwise, where in hell are the astronomical membership dues being spent?!

It gets worse before it gets better. Amidst their rarefied air, they've already gone ahead and instituted the Epub Standard: http://www.openebook.org/. Let me illuminate you:

What is EPUB, .epub, OPS/OCF & OEB?".epub" is the file extension of an XML format for reflowable digital books and publications. ".epub" is composed of three open standards, the Open Publication Structure (OPS), Open Packaging Format (OPF) and Open Container Format (OCF), produced by the IDPF. "EPUB" allows publishers to produce and send a single digital publication file through distribution and offers consumers interoperability between software/hardware for unencrypted reflowable digital books and other publications. The Open eBook Publication Structure or "OEB", originally produced in 1999, is the precursor to OPS.
For the latest on IDPF standards, sample files and companies who have implemented our specifications, please visit our
public forums. Getting started? Visit our FAQ's.
http://www.openebook.org/

So far, so good ... but if all the writers, artists, garage publishers and editors, "cowboy" distributors and so on-- who are the life's blood of the growing electronic publishing industry, its meat and potatoes -- are shut out of the forum unless they pay big (and unaffordable) bucks ... what use is a standard? How appropriate is it, to try to force this standard on writers, editors, publishers, who were locked out of the forum? How can you police a standard when it was decided arbitrarily by the high-powered honchos in the stratosphere? Why would the rest of us want to abide by regulations instituted in such a draconian system?!

Having said all that ... welcome to the wonderful world of DRM. Digital Rights Management. I brushed shoulders with this about eight months ago, when I was working long, extra hours to get my novels ready for Microsoft Reader ... only to discover in the nick of time that you might as well paste the text of your novels to web pages and give them away! The LIT file format is fine and dandy, and I actually like the Microsoft Reader interface a lot. But it's the ebook equivalent of "open source." Anyone, anywhere, can do absolutely anything they want to the text -- there are no controls, no safeguards...

Aha! Unless you lay down a few hundred more dollars to buy a DRM system for the Reader program. This was -- months ago -- wrangled by an online company called OverDrive. I looked into it, and it was going to get expensive, with the fee and then registration to pay on lots and lots of individual projects (I have a long backlist), all to have their rights "managed."

Once again, the system was set up to facilitate DRM for big, big publishers whose revenues are more than high enough to rationalize the fact that there's a digital monster with its pseudopod in your pocket, and it's insinuating a tentacle into your wallet while chatting with you.

And ... the rest of us, the cowboy operators, whose sales are too modest to pay and pay again? Those of us who just want to use our time and talent to earn an honest living? Well, in a word, we're screwed -- and that's two words.

So I ditched the idea of issuing my novels in the LIT format, and went with Adobe PDFs which were formatted two ways -- large screens, and keyhole screens for the ebook viewers. So far it's worked out quite well. A lot of readers have a use for ebooks; a lot don't. And those that don't won't buy an ebook no matter how you format the little buggers. (There's also a disturbingly large percentage of customers who don't know how to open a ZIP file, and I still don't know what to do about the question they raise. I'm working on it.)

Right now, DRM is back in the mixmaster: a new system is out, and OverDrive is being left behind. Urk. Something called Libre Digital is flying the flag of the new technology ... and without even looking at it, I can tell you, manging your digital rights via these guys will be expensive. It's not for self-marketing writers. It's for publishers. Big publishers.

Which leaves the rest of us right back where we started! In the coming months, I'll be experimenting with Smashwords, and the reason I'm going that way is because they can get me onto the iPhone and the Omnia ... and the sales of these smart little gadgets are so vast (running into the tens of millions in a year) that the sales of ebooks have to rise accordingly.

The one reservation I have about Smashwords at this point is that there's no file encryption on the product served to readers -- and how can there possibly be?? You have to be reasonable here -- even I have to be reasonable! -- and admit that a lot (a majority?) of ebook customers are reading on Very Cheap Devices which can read TXT files, or HTML or RFT at a stretch of the imagination. These machines, you can buy for $150 or so; therefore there are a lot of them out there. However, these cheap devices don't, can't read PDFs; fancy-shmantsy files, with formatting and encryption/protection and all, are off the list for these customers.

Here's the dilemma -- and it's a beauty. To get sales, you have to make your work available literally on a platter. You have to hand your work out in a format that anyone and his dog can copy, manipulate, resell. If you try to protect your work, you cost yourself sales ... but how many sales? Would you sell 1000 copies at $5 each, for an HTML file? If so, the income would be high enough to make it not so damaging if/when your work is pirated and other potential sales fly away like smoke.

It's an experiment, and I'm going to run with Smashwords for a couple of extremely good reasons. One: they're high profile, high visibility, and industry recognized. What this means is, if I put THE SWORDSMAN on Stanza for the smart phones, and LIT for Microsquash Reader, and so on, and three months later the book is available as a torrent on 10 different pirate download sites, I have the proverbial leg to stand on! I can go to the torrent site owner and show they my Smashwords agreement, which is dated and reliable, and would actually hold up in court. I can have them kill the torrent, fast. The second reason I'll run with Smashwords is that they're high visibility, and can only get higher: sales should be there ... and it's all an experiment. Lots of sales and no torrents? This is what we're hoping for! Moderate sales and controllable torrents? This is okay too. Poor sales and too many torrents to handle ...?

You're never going to know unless you try -- like anything else in life. But at the very least, Smashwords gives you something to go to bat with. You can come out fighting, knowing you have a high profile Internet presence as your platform.

At this time, I routinely have readers swinging by my websites after having searched on "mel keegan torrent." Meaning, the little darlings were hoping to find somewhere where they could just download me without even offering a dollar to help pay rent and bills. (A lot of readers also also searching on "josh lanyon torrent" and landing on my blog, because Josh and I are cross-linked, and a search for one will sometimes pop up the other! Nice, that.)

However, Smashwords is growing, and as the profile gets higher there will almost certainly be oversight here: an automatic system that pops up an alert when the names of their writers appear on the torrent sites -- this is the most obvious place to start. (Obviously there are many more ways for pirate copies to be circulating, but you gotta start somewhere.)

I'm impressed by the way founder Mark Coker is proactively marketing Smashwords ... to the point where he's on writers' forums. This doesn't always work out as intended and expected -- I've been very leery, myself, about getting involved in forums, because they're all different, with the tendency to be cliquish; they all have their own graven-in-granite rules, and you can put your foot right in it without ever even realizing you're doing it. This is both interesting from a writer's perspective, and a perfect illustration of what I mean: http://www.absolutewrite.com/forums/showthread.php?t=123538 ...

...how to get in dutch on a forum without knowing you've done anything ... and then investing hours and sweat and maybe even a few tears of utter frustration, trying to ameliorate the situation, only to discover that when "they've got their hooks into you," nothing in this world will make them let go ... and the thread will go on and on, as long as you continue to try to do the amelioration thing! (Now you know why you don't see Mel Keegan on forums (yet). You can trip and fall into the swamp sooooo easily, and you'll come up smelling weedy, no matter what you do or say. Not good news.)

The other side to this is that "any publicity is good publicity," and I take my hat off to Mark Coker for the way this was handled. He might not have known it at the time, but he was in a no-win situation from the get-go, and one can only applaud both his restraint and his eloquence. Personally, I've been in and around the publishing industry for almost 30 years, have been pro-published for 20 ... and User Groups scare the willies out of me. If there's a "writer beware" caution in any of this, it would have to be along the lines of, "Writers, beware of forum rules and regs, because no two are alike, all turn into cliques sooner or later, and you shouldn't really say anything that could be in any way construed as promotion or honest debate to the local paradigm, much less a rational argument based on "Research Not Currently Known to This User Group" until or unless you've become a qualified insider in the clique ... which can take weeks or months, and a whole lot of posts. Urk. I don't have the time to go there.

On my travels around the book-marketers' web this morning I stumbled over this:

National novel writing month: http://www.nanowrimo.org/ ... looks interesting, and I must investigate further! Now, if there was a similar site where two hundred POD publishers with tip-top lists got together, pooled resources and ingenuity to market books ... I could get excited. Because the marketing part of this is far harder than writing the books.

Still, at least I am the Master of my Fate and Captain of my Destiny -- in other words, I'm out there working for myself. Get a load of this: Reading in an Age of Depression

And on that chill-inspiring note ... back to work!

Cheers,
MK

Tuesday, January 20, 2009

POD Publishing ramps up for a smash-and-grab future

Publishing has been an industry in turmoil for some time now, and the dichotomy between Camp A ("You gotta get a real publisher who prints and sells five figures of more, or you're not a real writer") and Camp B ("I've got a top-notch book that no one will look at, so I'm going to fly solo") is getting wider. Rapidly.

Here's a quote from the press release headlining today at Author Solutions, Inc.:
BLOOMINGTON, Ind. – Author Solutions, Inc. (ASI), the world leader in the fastest-growing segment of book publishing, announced Thursday the acquisition of Xlibris – a pioneering leader in print-on-demand self publishing services. Kevin Weiss, ASI president and chief executive officer, made the announcement to Xlibris employees.“ASI is pleased to add Xlibris to our industry-leading portfolio of self publishing brands,” said Weiss. “This acquisition solidifies our leadership position and strengthens our ongoing commitment to offer the world’s most comprehensive set of publishing, promotion and book-selling services to authors.” Xlibris joins AuthorHouse, iUniverse, Wordclay and Inkubook in ASI’s expanding family of self publishing brands.
http://www.authorsolutions.com/News.aspx?id=194

There's more to the story, obviously -- click through and see the whole thing -- but the most important thing to grasp is the pearl of wisdom in the first line: the fastest-growing segment of book publishing.

Sit quietly. Close your eyes. Repeat that line to yourself several times over. Grasp the gist of it.

And then think a while on this:

From The Smashwords Book Marketing Guide by Mark Coker:
Book marketing is a tough uphill battle. Even most authors published by big mainstream print publishers complain they get little or no marketing support from their publishers. Bottom line, most authors, whether they’re traditionally published or self-published, have to do their own
marketing.


At Smashwords, we don’t make promises we can’t keep, so we cannot promise you your book will sell well here. In fact, most books, whether they’re traditionally published or self-published, don’t sell well. Whether your book is intended to inspire, inform or entertain, millions of other books and media forms are competing against you for your prospective reader’s ever-shirking pie of attention.

Ebooks represent the fastest growing segment of the book publishing industry. Ebook sales have been increasing around 50% per year for the last five years or so, according to the latest industry research, while traditional print book sales have stagnated or declined. If you’re an author, you’d be silly not to start exposing your work to the digital realm.

Despite the rapid growth of ebook sales, ebooks still represent less than one percent of overall book industry sales. But this is changing. You’re smart to publish your book in ebook form, and even smarter to publish with Smashwords, because no other indie publisher is so singularly focused on helping you leverage the power of digital publishing to reach your readers.
http://www.smashwords.com/books/download/305/1/2588/the-smashwords-book-marketing-guide.pdf

POD is the fastest growing growing segment of the paper-based book publishing industry, and ebook sales are growing exponentially -- a trend which can only get more powerful with the sheer volume of sales expected in 2009-10 for the iPhone and its competitor, the Samsung Omnia. (I blogged about this a little while ago: Ebooks in your pocket, along with your music, vids and pics, camera and phone. Get a load of that gadget! I, uh, want one.)

There's the data -- raw and wriggling. Conclusions anyone?

Well, I can see numerous conclusions, and as many probable outcomes....
  • The publishing industry has ignored and rejected new writers for decades, and would go on ignoring them, if only it could;
  • The reason for this is purely economic: you make more money off a handful of bestselling authors, for a fraction the editing/printing work; but...
  • Technology has caught up with them, and the newbies, wannabies, and those like myself who're stranded without recourse to "proper" or "traditional" publishing can fly solo; so...
  • We're doing it. In ever-increasing numbers ... most of us trusting to the Internet to be a viable marketplace; meaning...
  • Traditional publishers have got to be feeling the squeeze! The POD revolution has to be contributing to their downward spiral; and...
  • Very few people will mourn their passing, because the big publishing houses brought it on themselves by chasing the big bucks at the expense of the raw new talent and the burning passion to write.
This, more or less, is the framework the future of publishing and writing is likely to be built around. The traditional publishers slooooowly go belly-up; huge chain stores and remainder stockists thrive ... for a while, before there's no more leftovers to sell through at 90% discounts. Then, what?

Well, the bestsellers will always be there. Wilbur Smith and Maeve Binchy, Eric van Lustbader and Daniele Steele, Clive Cussler and J.K. Rowling. There's probably about 100, maybe 200 writers in the bestseller bracket, who'll churn out a book per year. That's (gosh, wow) a whole 150 or so new books for the bookstores, every year!

In fact, the big publishers will very likely rejoice, because the charade is over. Here's a fact the rest of us might not like, but need to get to grips with: publishers make about 90% of their money from about 10% of the world's writing stable. Less. The rest of us are allowed to tag along because we feed niche markets, worth small amounts of income which aggregate fairly nicely over time and distance. But it's nothing by comparison with the top-end writers who are properly marketed, shelved, aired on TV, and so forth.

In the next few years, chain bookstores are likely to contract both in size and number: some will go online and cast off the physical presence entirely. However, book exchanges and used book stores are likely to thrive, because so few new books will be coming along in print, on paper. A majority of readers still have absolutely no use for an ebook. Books are paper. Period. So, these readers will trade, swap, sell and buy and resell the paper treasure trove of yesteryear.

They'll also -- sooner or later -- land on sites like Amazon.com and Lulu.com, and are sure to find themselves reading a POD book, possibly without even realizing they're reading one!

And it's here, on this one point, where dedicated writers pin their hopes for the future.

The drawback is that POD books are damned expensive, and postage is getting expensive too. But it's also true that as an industry settles in, matures, the technology gets cheaper -- the machines pay for themselves and so forth. Prices might not actually lower, but perhaps the race of inflation in the general marketplace will rush ahead as per usual, while the price of POD books stays put for long enough to make them seem cheaper.

So, dedicated writers can live in genuine hopes that in the next -- what? say, five years? -- the technology will settle in, the price of POD books will seem less horrific, and dedicated readers will find themselves reading a POD book without even knowing it's POD.

Because the latest products from CreateSpace and Lulu and so forth are virtually indistinguishable from a mass market book: it would take an industry professional to tell the difference, and it comes down to this: "What difference does an indiscernible difference make?" I'll tell you how much difference it makes: so little, it's indiscernible.

Indiscernible
In`dis*cern"i*ble\, a. [Pref. in- not + discernible: cf. F. indiscernable.] Not to be discerned; imperceptible; not discoverable or visible.
Secret and indiscernible ways. --Jer. Taylor. -- In`dis*cern"i*ble*ness, n. -- In`dis*cern"i*bly, adv.
Webster's Revised Unabridged Dictionary, © 1996, 1998 MICRA, Inc.
http://dictionary.reference.com/cite.html?qh=indiscernible&ia=web1913

That's good enough for me.

In five years -- by 2014 -- the loooong list of books I need to get off my hands and onto Amazon will be complete. There'll be something like 40, maybe 50 Keegans on the list, and with a good, solid advertising campaign -- excellent reason to be optimistic. Devoted readers will find themselves in a position of having to buy POD books, because if you want to stay the hell away from the bestsellers (some of which start to sound like echoes and re-echoes after a while, since they're formulaic, ie. based on the Proven Winning Formula), well, there's no further choice.

And here, the process hits the rocky shoals. Because devoted readers want good books. Not lash-ups. Not self-published books which are clunkers beyond description that would be best consigned to the bottom of the budgie cage. I read on some site or blog, in the last week or so, that few readers have a problem buying a POD book; the problem is, finding one that's worth buying!

There are some really, disgustingly bad books out there. Companies like Lulu and CreateSpace and iUniverse and so forth, don't give the proverbial toss what's printed on the page. You pay them, they print it, they list it in their e-store, and if you pay them some more money, it'll be listed on Amazon.

I've actually said this before, somewhere in the hundreds of posts I've made in the seven months I've been on line: the onus is on the reader, the buyer, the customer, to find the good books and just not to buy the bad ones.

The problem with this is that as the DIY publishing field blows out bigger and bigger, the really good POD books will be outnumbered by their scabrous cousins, about 1000:1. How in the heck is a reader supposed to sort through that much chaff to get at a few grains of precious wheat?

Well, it's not actually that difficult! Leave it to the book review sites. You want to buy something good, something new? Read the reviews. There are numerous book review sites already, and they're also growing -- perhaps not exponentially, but they're certainly proliferating! You might have seen Rainbow Reviews, Squashduck, Bitten by Books, Speak Its Name, Rain on the Roof, Oasis Journals, Off Tha Shelf, Aricia's Gay Book Blog, and ... on and on and on. If you haven't -- check out a few. If you have: cheers! (These sites are almost all on the links lists here and/or on Aricia's blog. Good hunting.)

Nostrakeeganus, he guessing along these lines: by 2015 (and Nostrakeeganus, he going to be finished and done writing and working hard in bookselling business by that date!) the major publishers will have merged into just a few big, big, biiiiig combines; the bookstore chains will have pared down to minimums -- almost showrooms; the online used book stores will be going gangbusters; everyone and his uncle who thinks he/she/they have a story to tell will have published it to Smashwords or Lulu or wherever; everyone in the world will have a website or a blog, and maybe both; the amount of dross on the market will out-mass the Pacific Ocean ... good books will fight to be noticed ... online book review sites will be the new meccas for writers and readers alike.

Now, it's not quite as rosy as it sounds, because there are a hell of a lot of good, and great, writers out there. When we're ALL going the DIY road, there will be a positive embarrassment of riches available to readers. Statistically, it turns out that the number of people reading is imploding every year, so --

Our market is shrinking even though more writers than ever before are about to be published (whether they're worth publication or not). Fundamentally, it's all about market share. 1% of a huge market is still a lot. But .0001% of a dwindling market is ... not too much.

So, the competition will be fierce. Good writers and great writers will be competing for attention and bucks, and readers -- not publishers and editors! -- will be the deciding force. This is how the Law of the Jungle works -- survival of the fittest, the best. Evolution used this same process to create everything from the pygmy shrew to the T-Rex, and it works.

Out of the whole jungle, mind you, one new group of power brokers might emerge. It's already being said out there in the forums and blogosphere of the POD world, what book reviews are the only thing that moves books at this time.

This is going to be even more true in the future, as the market tightens even further. The new power brokers could easily be the leading reviewers -- the online critics whose recommendations are taken as solid gold tips (Sure Fire at 90:1, running in the two-thirty at Morphetville...) by devoted readers.

Sad to say, even very good writers will be fighting for a sadly small market share ... in other words, no one's going to get rich at this. And then agan, that's not strictly true! There's an incredible fortune to be made ... but not by writers. Remember this: "Xlibris joins AuthorHouse, iUniverse, Wordclay and Inkubook in ASI’s expanding family of self publishing brands." In fact, Author Solutions, Inc. is likely to be the next trillion dollar company, because they're in at the beginning, a big fish already consuming all the smaller ones. Uh huh.

Food for thought!

I'm going to leave the subject there for now, because it's hot, I'm tired, and I'm out of time. More tomorrow -- albeit probably on less challenging subjects. For now --

Cheers,
MK