Publishing has been an industry in turmoil for some time now, and the dichotomy between Camp A ("You gotta get a real publisher who prints and sells five figures of more, or you're not a real writer") and Camp B ("I've got a top-notch book that no one will look at, so I'm going to fly solo") is getting wider. Rapidly.
Here's a quote from the press release headlining today at Author Solutions, Inc.:
BLOOMINGTON, Ind. – Author Solutions, Inc. (ASI), the world leader in the fastest-growing segment of book publishing, announced Thursday the acquisition of Xlibris – a pioneering leader in print-on-demand self publishing services. Kevin Weiss, ASI president and chief executive officer, made the announcement to Xlibris employees.“ASI is pleased to add Xlibris to our industry-leading portfolio of self publishing brands,” said Weiss. “This acquisition solidifies our leadership position and strengthens our ongoing commitment to offer the world’s most comprehensive set of publishing, promotion and book-selling services to authors.” Xlibris joins AuthorHouse, iUniverse, Wordclay and Inkubook in ASI’s expanding family of self publishing brands.http://www.authorsolutions.com/News.aspx?id=194There's more to the story, obviously -- click through and see the whole thing -- but the most important thing to grasp is the pearl of wisdom in the first line:
the fastest-growing segment of book publishing.
Sit quietly. Close your eyes. Repeat that line to yourself several times over. Grasp the gist of it.
And then think a while on this:
From
The Smashwords Book Marketing Guide by Mark Coker
:
Book marketing is a tough uphill battle. Even most authors published by big mainstream print publishers complain they get little or no marketing support from their publishers. Bottom line, most authors, whether they’re traditionally published or self-published, have to do their own
marketing.At Smashwords, we don’t make promises we can’t keep, so we cannot promise you your book will sell well here. In fact, most books, whether they’re traditionally published or self-published, don’t sell well. Whether your book is intended to inspire, inform or entertain, millions of other books and media forms are competing against you for your prospective reader’s ever-shirking pie of attention.Ebooks represent the fastest growing segment of the book publishing industry. Ebook sales have been increasing around 50% per year for the last five years or so, according to the latest industry research, while traditional print book sales have stagnated or declined. If you’re an author, you’d be silly not to start exposing your work to the digital realm.Despite the rapid growth of ebook sales, ebooks still represent less than one percent of overall book industry sales. But this is changing. You’re smart to publish your book in ebook form, and even smarter to publish with Smashwords, because no other indie publisher is so singularly focused on helping you leverage the power of digital publishing to reach your readers.http://www.smashwords.com/books/download/305/1/2588/the-smashwords-book-marketing-guide.pdfPOD is the fastest growing growing segment of the paper-based book publishing industry, and ebook sales are growing exponentially -- a trend which can only get more powerful with the sheer volume of sales expected in 2009-10 for the iPhone and its competitor, the Samsung Omnia. (I blogged about this a little while ago:
Ebooks in your pocket, along with your music, vids and pics, camera and phone. Get a load of that gadget! I, uh, want one.)
There's the data -- raw and wriggling. Conclusions anyone?
Well, I can see numerous conclusions, and as many probable outcomes....
- The publishing industry has ignored and rejected new writers for decades, and would go on ignoring them, if only it could;
- The reason for this is purely economic: you make more money off a handful of bestselling authors, for a fraction the editing/printing work; but...
- Technology has caught up with them, and the newbies, wannabies, and those like myself who're stranded without recourse to "proper" or "traditional" publishing can fly solo; so...
- We're doing it. In ever-increasing numbers ... most of us trusting to the Internet to be a viable marketplace; meaning...
- Traditional publishers have got to be feeling the squeeze! The POD revolution has to be contributing to their downward spiral; and...
- Very few people will mourn their passing, because the big publishing houses brought it on themselves by chasing the big bucks at the expense of the raw new talent and the burning passion to write.
This, more or less, is the framework the future of publishing and writing is likely to be built around. The traditional publishers slooooowly go belly-up; huge chain stores and remainder stockists thrive ... for a while, before there's no more leftovers to sell through at 90% discounts. Then, what?
Well, the bestsellers will always be there. Wilbur Smith and Maeve Binchy, Eric van Lustbader and Daniele Steele, Clive Cussler and J.K. Rowling. There's probably about 100, maybe 200 writers in the bestseller bracket, who'll churn out a book per year. That's (gosh, wow) a whole 150 or so new books for the bookstores, every year!
In fact, the big publishers will very likely rejoice, because the charade is over. Here's a fact the rest of us might not like, but need to get to grips with: publishers make about 90% of their money from about 10% of the world's writing stable. Less. The rest of us are allowed to tag along because we feed niche markets, worth small amounts of income which aggregate fairly nicely over time and distance. But it's nothing by comparison with the top-end writers who are properly marketed, shelved, aired on TV, and so forth.
In the next few years, chain bookstores are likely to contract both in size and number: some will go online and cast off the physical presence entirely. However, book exchanges and used book stores are likely to thrive, because so few new books will be coming along in print, on paper. A majority of readers still have absolutely no use for an ebook. Books are
paper. Period. So, these readers will trade, swap, sell and buy and resell the paper treasure trove of yesteryear.
They'll also -- sooner or later -- land on sites like Amazon.com and Lulu.com, and are sure to find themselves reading a POD book, possibly without even realizing they're reading one!
And it's here, on this one point, where dedicated writers pin their hopes for the future.
The drawback is that POD books are damned expensive, and postage is getting expensive too. But it's also true that as an industry settles in, matures, the technology gets cheaper -- the machines pay for themselves and so forth. Prices might not actually lower, but perhaps the race of inflation in the general marketplace will rush ahead as per usual, while the price of POD books stays put for long enough to make them seem cheaper.
So, dedicated writers can live in genuine hopes that in the next -- what? say, five years? -- the technology will settle in, the price of POD books will seem less horrific, and dedicated readers will find themselves reading a POD book without even knowing it's POD.
Because the latest products from CreateSpace and Lulu and so forth are virtually indistinguishable from a mass market book: it would take an industry professional to tell the difference, and it comes down to this: "What difference does an indiscernible difference make?" I'll tell you how much difference it makes: so little, it's indiscernible.
IndiscernibleIn`dis*cern"i*ble\, a. [Pref. in- not + discernible: cf. F. indiscernable.] Not to be discerned; imperceptible; not discoverable or visible.
Secret and indiscernible ways. --Jer. Taylor. --
In`dis*cern"i*ble*ness, n. --
In`dis*cern"i*bly, adv.
Webster's Revised Unabridged Dictionary, © 1996, 1998 MICRA, Inc.
http://dictionary.reference.com/cite.html?qh=indiscernible&ia=web1913That's good enough for me.
In five years -- by 2014 -- the loooong list of books I need to get off my hands and onto Amazon will be complete. There'll be something like 40, maybe 50 Keegans on the list, and with a good, solid advertising campaign -- excellent reason to be optimistic. Devoted readers will find themselves in a position of
having to buy POD books, because if you want to stay the hell away from the bestsellers (some of which start to sound like echoes and re-echoes after a while, since they're formulaic, ie. based on the Proven Winning Formula), well, there's no further choice.
And here, the process hits the rocky shoals. Because devoted readers want
good books. Not lash-ups. Not self-published books which are clunkers beyond description that would be best consigned to the bottom of the budgie cage. I read on some site or blog, in the last week or so, that few readers have a
problem buying a POD book; the problem is,
finding one that's worth buying!
There are some really, disgustingly bad books out there. Companies like Lulu and CreateSpace and iUniverse and so forth, don't give the proverbial toss what's printed on the page. You pay them, they print it, they list it in their e-store, and if you pay them some more money, it'll be listed on Amazon.
I've actually said this before, somewhere in the hundreds of posts I've made in the seven months I've been on line: the onus is on the reader, the buyer, the customer, to find the good books and just not to buy the bad ones.
The problem with this is that as the DIY publishing field blows out bigger and bigger, the really good POD books will be outnumbered by their scabrous cousins, about 1000:1. How in the heck is a reader supposed to sort through that much chaff to get at a few grains of precious wheat?
Well, it's not actually that difficult! Leave it to the book review sites. You want to buy something
good, something
new? Read the reviews. There are numerous book review sites already, and they're also growing -- perhaps not exponentially, but they're certainly proliferating! You might have seen Rainbow Reviews, Squashduck, Bitten by Books, Speak Its Name, Rain on the Roof, Oasis Journals, Off Tha Shelf, Aricia's Gay Book Blog, and ... on and on and on. If you haven't -- check out a few. If you have: cheers! (These sites are almost all on the links lists here and/or on Aricia's blog. Good hunting.)
Nostrakeeganus, he guessing along these lines: by 2015 (and Nostrakeeganus, he going to be finished and done writing and working hard in bookselling business by that date!) the major publishers will have merged into just a few big, big, biiiiig combines; the bookstore chains will have pared down to minimums -- almost showrooms; the online used book stores will be going gangbusters; everyone and his uncle who thinks he/she/they have a story to tell will have published it to Smashwords or Lulu or wherever; everyone in the world will have a website or a blog, and maybe both; the amount of dross on the market will out-mass the Pacific Ocean ... good books will fight to be noticed ... online book review sites will be the new meccas for writers and readers alike.
Now, it's not quite as rosy as it sounds, because there are a
hell of a lot of good, and great, writers out there. When we're ALL going the DIY road, there will be a positive embarrassment of riches available to readers. Statistically, it turns out that the number of people reading is imploding every year, so --
Our market is shrinking even though more writers than ever before are about to be published (whether they're worth publication or not). Fundamentally, it's all about market share. 1% of a huge market is still a lot. But .0001% of a dwindling market is ... not too much.
So, the competition will be fierce. Good writers and great writers will be competing for attention and bucks, and
readers -- not publishers and editors! -- will be the deciding force. This is how the Law of the Jungle works -- survival of the fittest, the best. Evolution used this same process to create everything from the pygmy shrew to the T-Rex, and it works.
Out of the whole jungle, mind you, one new group of power brokers might emerge. It's already being said out there in the forums and blogosphere of the POD world, what book reviews are the only thing that moves books at this time.
This is going to be even more true in the future, as the market tightens even further. The new power brokers could easily be the leading reviewers -- the online critics whose recommendations are taken as solid gold tips (Sure Fire at 90:1, running in the two-thirty at Morphetville...) by devoted readers.
Sad to say, even very good writers will be fighting for a sadly small market share ... in other words, no one's going to get rich at this. And then agan, that's not strictly true! There's an incredible fortune to be made ... but not by writers. Remember this: "Xlibris joins AuthorHouse, iUniverse, Wordclay and Inkubook in ASI’s expanding family of self publishing brands." In fact, Author Solutions, Inc. is likely to be the next trillion dollar company, because they're in at the beginning, a big fish already consuming all the smaller ones. Uh huh.
Food for thought!
I'm going to leave the subject there for now, because it's hot, I'm tired, and I'm out of time. More tomorrow -- albeit probably on less challenging subjects. For now --
Cheers,
MK
They say a picture is worth a thousand words, but this one, above, only needs to say a half a dozen or so:
This was a mockup cover done to illustrate a point she was making about how 3D art is perfect for book covers ... notice the byline. The illustrious author of this piece is one John J. Doe. I took one look at that cover and said, I WANT IT. Now, don't hold your breath, folks: I have Hellgate to finish this year, and a NARC novel to do, and MINDSPACE is being packaged very soon. But this piece here is calling to me. It's seducing me. When the book comes back your way, it probably won't be called by the same title, but you will see it wrapped around a Keegan. Because every time I look at it I get this weird feeling that whispers in the back of my writer's brain, "You know this book, you've told this story, you just have to remember what it is..."
ing neglected; and as for writing ...?! It's not happening! Maybe in June. I've promised HELLGATE, and good golly, HELLGATE it will be.
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